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A Christian Response To Crisis
RRP $88.99
The Chinese have a symbol for crisis, which means both danger and opportunity. People in crisis, whether self-inflicted or externally caused, provides for the person and those they touch just such an opportunity. In this very practical book by Dr. Stan DeKoven, a counselor for over 30 years, the essential steps to help someone process through to a healthy resolution of crisis are presented. Topics include: * A biblical view of crisis * Dealing with loss * The A B C D's of crisis management * Facing and preventing suicide ...and much more. Dr. Stan DeKoven is the Founder and President of Vision International University. After many years as a successful Christian family counselor, he expanded the work of Dr. Ken Chant into a dynamic university program with colleges in over 120 nations around the world. Dr. DeKoven is the author of more than 35 books and numerous study guides in counseling, leadership and practical theology.
RRP $396.99
A Trip to Niagara; or, Travellers in America, a three-act comedy, opened at New York's Bowery Theatre on November 28, 1828, for a long run. Scripted and later published by William Dunlap (1766-1839), the so-called "father of the American stage," this play offers a bounty to theater historians, dramatic critics, and all those interested in the American culture during Dunlap's lifetime. This study explores the Bowery, the play's moving diorama, the text, and the playwright, and emphasizes their interrelationships. This analysis of A Trip to Niagara as a theatrical event joins hands with dramatic criticism. An annotated transcript of the play is helpfully provided in the appendix of the book. This study contends that had there been no moving diorama, there would have been no play. Since William Dunlap called his text a "running accompaniment," it should be analyzed in terms of this function. The play's few critics have failed to do this. Hence, the interplay of the moving diorama (and conventional scenic backdrops) with the plot and characters comprises another significant segment of this study. This book makes significant contributions to studies of antebellum American theater, the Nationalist Period in American culture, and William Dunlap.
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